Introduction
In this dissertation, I embark on a comprehensive exploration of the intricate theme of fears and phobias, with hybrid insects serving as the nucleus of my investigation. At the heart of this study is the intersection of artificial intelligence (AI) and traditional artistic methods, particularly examining how these intersecting realms represent and evoke human fears associated with hybrid insect creatures.
To anchor this investigation, I delve deeply into both historical and contemporary art contexts, spotlighting artists who have immersed themselves in the realms of hybridity and transformation. A pivotal focus is placed on the captivating works of Matt Collishaw, known for his multifaceted contributions across photography, sculpture, and installation. Collishaw's innovative use of real-life butterflies establishes a tangible link between the organic and the artistic, offering profound insights into the symbolic resonance of hybridity.
Furthermore, this examination is framed within a broader theoretical context, contemplating the intricate interplay between AI-driven art and conventional artistic practices. The evolving landscape of technology and its impact on artistic expression forms a central backdrop for my inquiry, exploring how AI can serve as a tool for creative exploration and conceptualization.
As I navigate through this dissertation, I delve into personal conversations, seeking insights into how individuals perceive and navigate their fears. Simultaneously, my study extends to the insect kingdom, investigating their unique mechanisms for overcoming challenges and adapting to their environment. This interdisciplinary approach adds depth and dimension to the exploration of fears, shedding light on universal themes that resonate across different domains.
Moreover, I introduce a compelling book, 'Hybrids: International Contemporary Painting', which offers diverse perspectives on fear and hybridity in contemporary art. By incorporating insights from this work, I aim to enrich my discussion and present a nuanced view on the multifaceted nature of fears and their representations in artistic practice.
In summary, this dissertation embarks on a multifaceted journey into the depths of fears and hybridity, weaving together insights from art history, contemporary practices, and technological innovations. By delving into the realms of AI-driven art and traditional methods, I aim to illuminate the complexities of human emotions and experiences through the lens of hybrid insect creatures.